Singles Music of the Marvel Cinematic Universe

1 other studios

1.1 dc entertainment , warner bros. pictures
1.2 20th century fox
1.3 sony pictures

other studios

after release of avengers in may 2012, tom russo of boston.com noted aside occasional novelty such aliens vs. predator (2004), idea of shared universe virtually unheard of in hollywood. since time, shared universe model created marvel studios has begun replicated other film studios held rights other comic book characters. in april 2014, tuna amobi, media analyst standard & poor s equity research services, stated in previous 3 5 years, hollywood studios began planning megafranchises years come, opposed working 1 blockbuster @ time. amobi added, lot of these superhero characters being left there gather dust. disney has proved [approach , genre] can gold mine. however, additional studios playing megafranchise game , doug creutz, media analyst cowen , company, feels allure die audiences: if marvel s going make 2 or 3 films year, , warner brothers going @ least film every year, , sony s going film every year, , fox [is] going film every year, can in scenario? m not sure can.

dc entertainment , warner bros. pictures

in october 2012, following legal victory on joe shuster s estate rights superman, warner bros. pictures announced planned move ahead long-awaited justice league film, uniting such dc comics superheroes batman, superman, , wonder woman. company expected take opposite approach marvel, releasing individual films characters after have appeared in team-up film. release of man of steel in 2013 intended start of new shared universe dc, laying groundwork future slate of films based on dc comics. in 2014, warner bros. announced slate of films, disney , marvel claiming dates films years in advance. year, dc cco geoff johns stated television series arrow , flash set in separate universe new film one, later clarifying @ multiverse. have our tv universe , our film universe, co-exist. us, creatively, s allowing make best possible product, tell best story, best world. has vision , want let visions shine through ... s different approach [to marvel s].

discussing apparent failure of cinematic universe s first team-up film, batman v superman: dawn of justice, establish successful equivalent mcu, todd vanderwerff noted mcu has television-like showrunner in feige, visionary behind marvel s entire slate , dceu has director zack snyder, dc films seemingly start assumption people have come not see individual story long series of teases other ones. s knows needs can t focus on task @ hand. tv isn t immune problem, shows caught in high-concept premises , big-picture thinking before doing necessary legwork establish characters , relationships tend canceled. subsequently, in may 2016, warner bros. gave oversight of dceu johns , executive jon berg in attempt unify disparate elements of dc movies , emulate marvel s success. 2 made producers on justice league films, on top of johns involvement in several solo films, such post-production process of suicide squad or writing process of standalone batman film. after successful release of wonder woman in june 2017, dc decided begin deemphasizing shared nature of films, dc entertainment president diane nelson stating, our intention, certainly, moving forward using continuity make sure nothing diverging in way doesn’t make sense, there’s no insistence upon overall story line or interconnectivity in universe... moving forward, you’ll see dc movie universe being universe, 1 comes heart of filmmaker who’s creating them. additionally, dc began focusing on films separate else, set entirely outside dceu part of new label, first centered on joker.

20th century fox

in november 2012, 20th century fox announced plans create own shared universe, consisting of marvel properties holds rights including fantastic 4 , x-men, hiring of mark millar supervising producer. millar said, fox thinking, re sitting on awesome things here. there side of marvel universe. let s try , cohesiveness going. brought me in oversee really. meet writers , directors suggest new ways take stuff , new properties spin out of it. x-men: days of future past, released in 2014, fox s first step towards expanding stable of marvel properties , creating universe, ahead of release of fantastic 4 reboot film next year. however, in may 2014, days of future past , fantastic 4 screenwriter simon kinberg stated latter film not take place in same universe x-men films, explaining none of x-men movies have acknowledged notion of sort of superhero team—the fantastic four. , fantastic 4 acquire powers, them live in world mutants prevalent kind of complicated, because re like, oh, re mutant. like, s fantastic you? ... live in discrete universes. in july 2015, x-men director bryan singer said there still potential crossover between x-men , fantastic 4 franchises, if reaction fantastic 4 , x-men: apocalypse warranted it.

feeling singer s efforts in apocalypse establish larger world, similar mcu, did not meet standards established marvel, vanderwerff noted unlike feige s ability serve pseudo-showrunner , singer instead steeped in film , way movie stories have been told , when comes time have apocalypse dovetail story threads earlier x-men: first class (which directed else entirely), both singer s direction , simon kinberg s script rely on hackneyed devices , clumsy storytelling , indicating lack of kind of big-picture thinking sort of mega franchise requires .

sony pictures

in november 2013, sony pictures entertainment co-chairman amy pascal announced studio intended expand universe created within marc webb amazing spider-man series, spin-off adventures supporting characters, in attempt replicate marvel , disney s model. next month, sony announced venom , sinister 6 films, both set in amazing spider-man universe. announcement, ign stated spin-offs latest example of can refer avengers effect in hollywood, studios work build interlocking movie universes. sony chose not replicate marvel studios model of introducing individual characters first before bringing them in team-up film, instead making spider-man adversaries stars of future films. however, in february 2015, sony pictures , marvel studios announced spider-man franchise retooled, new film co-produced feige , pascal being released in july 2017, , character being integrated mcu. sony pictures continue finance, distribute, own, , have final creative control of spider-man films. announcement, sequels amazing spider-man 2 canceled, , november 2015 venom , sinister 6 films, spin-offs based on female characters in spider-man universe, no longer moving forward. march 2016, venom film had been retooled, start own franchise unrelated mcu spider-man. year later, sony officially announced venom film in development, october 5, 2018 release, along film centered on characters silver sable , black cat. both projects not intended part of mcu nor spin-offs spider-man: homecoming, rather part of intended separate shared universe.

after sony canceled shared universe plans , started sharing spider-man character marvel studios, multiple critics discussed failure @ replicating mcu. scott meslow of week noted perceived flaws of first amazing spider-man film, outside of lead performances, , how sequel doubles down on missteps of original while adding few of own. …we have textbook example of how not reboot superhero franchise, , if sony , marvel wise, ll take virtually lessons heart chart spider-man s next course. scott mendelson noted amazing spider-man 2 sold less sequel amazing spider-man backdoor pilot spider-man vs. sinister six. …had sony stuck original plan of scaled-down superhero franchise, 1 rooted in romantic drama, have @ least stuck out in crowded field of superhero franchises. when every superhero film going bigger, amazing spider-man have distinguished going small , intimate. have saved sony boatload of money , , potentially reversed film s relative financial failure.