Critical reception Judas (Lady Gaga song)



lady gaga performing judas on born way ball, standing on top of medieval castle prop.


judas received music critics. jonathan van meter vogue gave song positive review, saying song sounded written ronettes, set sledgehammering dance beat. mtv s james dinh noted song similar in composition bad romance . popjustice compared bad romance describing highly evolved, titanium-plated bad romance year 2511 travelling half millennium in time save music tidal wave of in club -obsessed pop drivel, , s judas . kevin o donnel spin felt song sounded rowdy, industrial-disco banger, , described gaga s performance insanely on top: alternates between rapping, robotic monotone, , crow-like squawk — before gliding more conventional chorus hews closer bad romance . complimented primal energy of music of judas, , felt breakdown 1 of weirdest moments hit pop music scene in 2011. slant magazine s eric henderson noted disconnection , deviation gaga s previous single born way more pronounced judas . musically felt judas had same glitter-jackhammer level born way , though big anthemic chords inverted—not unlike inner city s big fun vs. life. s twin, evil twin thing. henderson continued song conjured imagery of disturbed vision of hell, , in warped sense song seemed more forward-thinking him , less of message, gay = great equation @ heart of born way .


amos barshad new york declared song reminded him of being drunk , dancing in remote discothèque in berlin. nme s dan martin of opinion judas song gaga should have come with. understood why did not choose lead single born way, given fact song characteristic of gaga s music. pointing same thing, matthew perpetua rolling stone wrote song played gaga s established musical sensibilities. added although judas had own charms , @ least 3 insanely catchy hooks leans hard on gaga s signature moves. maura johnston of village voice summarized song twin of bad romance describing instantly memorable wordless vocalizing, pummeling beat, lyrics romance is, well, bad. digital spy s robert copsey gave song 5 out of 5 stars, commending blasphemously camp chorus , comparing worthy of eurovision – scooch-meets-lordi affair that, unsurprisingly, takes few listens head around. mark lepage gazette praised song , understood gaga s music has progressed, has themes , inspirations, indicated conflicted relationship has character judas in song. rick fulton, while writing in daily record, compared prayer on steroids , gave 3 out of 5 points. nme called song gaga s worst single far .








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