Cultural impact Marvel Cinematic Universe

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in november 2012, 20th century fox announced plans create own shared universe, consisting of marvel properties holds rights including fantastic 4 , x-men, hiring of mark millar supervising producer. millar said, fox thinking, re sitting on awesome things here. there side of marvel universe. let s try , cohesiveness going. brought me in oversee really. meet writers , directors suggest new ways take stuff , new properties spin out of it. x-men: days of future past, released in 2014, fox s first step towards expanding stable of marvel properties , creating universe, ahead of release of fantastic 4 reboot film next year. however, in may 2014, days of future past , fantastic 4 screenwriter simon kinberg stated latter film not take place in same universe x-men films, explaining none of x-men movies have acknowledged notion of sort of superhero team—the fantastic four. , fantastic 4 acquire powers, them live in world mutants prevalent kind of complicated, because re like, oh, re mutant. like, s fantastic you? ... live in discrete universes. in july 2015, x-men director bryan singer said there still potential crossover between x-men , fantastic 4 franchises, if reaction fantastic 4 , x-men: apocalypse warranted it.


feeling singer s efforts in apocalypse establish larger world, similar mcu, did not meet standards established marvel, vanderwerff noted unlike feige s ability serve pseudo-showrunner , singer instead steeped in film , way movie stories have been told , when comes time have apocalypse dovetail story threads earlier x-men: first class (which directed else entirely), both singer s direction , simon kinberg s script rely on hackneyed devices , clumsy storytelling , indicating lack of kind of big-picture thinking sort of mega franchise requires .








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