Examples Phrygian mode

1 examples

1.1 ancient greek
1.2 medieval , renaissance
1.3 baroque
1.4 romantic
1.5 modern classical music
1.6 film music
1.7 jazz

examples
ancient greek

the first delphic hymn, written in 128 bc athenian composer limenius, in phrygian , hyperphrygian tonoi, variation (pöhlmann , west 2001, 73).
the seikilos epitaph (1st century ad) in phrygian species (diatonic genus), in iastian (or low phrygian) transposition (solomon 1985, 459, 461n14, 470).

medieval , renaissance

gregorian chant, tristes erant apostoli, version in vesperale romanum, ambrosian chant (otten 1913).
the roman chant variant of requiem introit rogamus te in (authentic) phrygian mode, or 3rd tone (karp, fitch, , smallman 2001, §1).
orlando di lasso s motet in me transierunt (pesic 2005, passim).
giovanni pierluigi da palestrina s motet congratulamini mihi (carver 2005, 77).

·thomas tallis s third tune archbishop parker

baroque

johann sebastian bach keeps in cantatas phrygian mode of original chorale melodies, such luther s es woll uns gott genädig sein on melody matthias greitter, used twice in die himmel erzählen die ehre gottes, bwv 76.
heinrich schütz s st john passion (1666) in phrygian mode (rifkin, linfield, mcculloch, , baron 2001, §10)
dieterich buxtehude s prelude in minor, buxwv 152 (snyder 2001), (labeled phrygisch in buxwv catalog) (karstädt 1985,)

romantic

anton bruckner:

ave regina caelorum, wab 8 (1885–88) (carver 2005, 76–77).
pange lingua, wab 33 (second setting, 1868) (carver 2005, 79; partsch 2007, 227).
symphony no. 3, passages in third (scherzo) , fourth movements (carver 2005, 89–90).
symphony no. 4 (third version, 1880), finale (carver 2005, 90–92).
symphony no. 6, first, third (scherzo), , fourth movements (carver 2005, 91–98).
symphony no. 7, first movement (carver 2005, 96–97).
symphony no. 8, first , fourth movements (carver 2005, 98).
tota pulchra es, wab 46 (1878) (carver 2005, 79, 81–88).
vexilla regis, wab 51 (1892) (carver 2005, 79–80).


ralph vaughan williams fantasia on theme of thomas tallis (ottaway , frogley 2001), based on thomas tallis s 1567 setting of psalm 2, why fum th in sight .

modern classical music